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August 14, 2019

Picture perfect Wilderness with N Photo bonus.

This month I took some time out from my normal festival photography to capture the other side of Wilderness. I shot some of the pictures below before the hordes arrived. On reflection though, I actually prefer the more populated images. As always, hot tubs, gypsy caravans and rowing boats nestle comfortably among the painterly landscapes. It was really lovely just to get away from the usual noise and melee in really peaceful surroundings. Talking of noise though,you can find more of my Download pictures in the latest edition of N Photo magazine. I’ve also shared advice and insights on how to approach festival photography. What started out as a two page feature turned into a 12 page lead…which was nice!

wilderness 2019

N-photo magzine Music Festival 01.08.19

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July 17, 2019

| Tracey Welch

Download 2019

Another great year at Download despite the fact that it rained…and rained… The weather did not inspire me to wander far from the main and second stages, but still, there was so much to enjoy and the Donington Park crowd absolutely loved it. Just a small selection of pictures here, kicking things off with the amazing Smashing Pumpkins set. Sadly I didn’t realise that we needed an additional sign-up to shoot Slash. But beyond that, there was plenty of drama, theatrics, pyrotechnics, and perhaps less normal at Download, a big smile on stage courtesy of Eagles of Death Metal lead Jesse Hughes. You can find more pictures and the full shoot story in the next edition of N Photo magazine.

Download 2019

The Smashing Pumpkins

Jesse Hughes

Behemoth

Slayer

Slipknot

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June 3, 2019

| Tracey Welch

Marquis Drive play Mosfest.

This week we’re at Mosfest. In recent years this popular, two-day festival on the Sheffield fringe has moved from Mosborough to Don Valley Bowl. But the name has stuck and nine years in, the organisers certainly seem to have cracked that winning, line-up formula.

Marquis Drive 01.06.19 Mosfest

“Cannock Crusaders”, Marquis Drive are Mosfest regulars and they always pull in the crowds and get everyone going. When they joined me, I was enjoying a beer in the sunshine with the other bands in what was a very low-key, back-stage affair. It was great to just hang out and chat to people. For me that meant meeting bands like Jesus Jones who I’ve not seen live since around 1990.

But whilst I was happy to chill with Marquis Drive, Space and fellow Liverpudlians, the Farm were actually itching to get going. Because of course this was no normal Mosfest Saturday. This was Champions League final day and in Madrid, the reds were facing Spurs. Bearing in mind Mosfest began with Mosborough Football Club and the sudden loss of one of the local club’s driving forces, the organisers were completely sympathetic. They moved the Liverpool bands up the the running order to let them go early and suddenly, Marquis Drive were headlining. Brilliant stuff! Most people actually chose to stay and enjoy the whole show. And for Space and co it was the best of all worlds, with a great festival experience and a two nil win that brought the cup home to the Pool.

Roll on Mosfest 2020. But in the meantime If you feel you’ve missed out on this years festival, there’s a second helping coming up next Saturday in the shape of Music for the Homeless. Presented in association with the Cathedral Archer Project you can donate to the charity and enjoy an entertaining show including another Mosfest favourite, the Neville Staple Band. Plus, you can sleep out under the stars to further demonstrate your support for the cause.

Marquis Drive 01.06.19 Mosfest

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May 22, 2019

| Tracey Welch

Alan Mcgee on tour.

Alan McGee 12.04.19 Barnsley

Thanks to my mates Rachel Brown (my N-Photo Apprentice) and author/broadcaster Rob Fiddaman, I recently found myself at Opium-No 10, an “indie cocktail bar”, photographing the Barnsley leg of Alan McGee’s ongoing UK tour. Alan is widely credited as the architect of the Manchester music scene, the man behind Creation Records, Oasis and Primal Scream. The Q&A was peppered with a million and one music references, entertaining anecdotes, industry insights and political comment. McGee is engaging, interested and full of energy. In an honest reflection of the rock’n’roll life he’s led, the conversation pulled no punches. Like many people in the audience, I left wanting more of the Alan McGee experience. So, a few days later was I heading to Chesterfield’s Proact football stadium for a second helping.

Alan McGee 12.04.19 Barnsley

Another day, another equally fascinated audience and Alan was off again. The Glaswegian is as enthusiastic about the industry as he ever was and is arguably just as involved, with the launch of his latest label, Creation 23 and ongoing management of bands including the Happy Mondays.

If that wasn’t enough, there’s about to be a movie, with Danny Boyle and Irvine Welsh renewing their Trainspotting partnership to bring this endlessly colourful story to life on screen. With Nick Moran of Lock Stock directing, it promises to be a rollercoaster of a ride and personally, I can’t wait.

Alan McGee 26.04.19 Chesterfield

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April 18, 2019

| Tracey Welch

Marquis Drive – a proper band. So says Danny Dyer..

This month I was commissioned to photograph West Midlands band Marquis Drive. The Britpop inspired band were playing in Bramall Lane, Sheffield so we met up there, hopped over the road to the Railway Hotel and spent an hour or so sorting a decent portfolio for them.

Marquis Drive

The evening gig was a great opportunity to capture the band’s performance. It was, to say the least, energetic and packed with enthusiasm. The whole place was jumping, carried along by the Marquis Drive’s anthemic, joyous sound. They’ve only been around for a year or so but are already carving out a reputation, with no less than Danny Dyer describing them as “a proper fkn band”! The Sheffield Star have certainly given them a positive response: “Marquis Drive had the whole venue bouncing and singing as they created a real festival atmosphere. Such was the buzz created, it would be tough for any band to follow.” In short, if you like Ocean Colour Scene, Shed 7, Oasis and the like then you’ll probably enjoy Marquis Drive.

I got on so well with the band that they’ve already asked me to join them at a Sheffield festival later this year. Of course, I’ve said yes to what will undoubtedly be a cracking, good do.

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March 5, 2019

| Tracey Welch

The Struts at Stylus for The Guardian.

The Struts Luke Spiller

I had a bit of a laugh with The Struts when I first photographed the Derby band at Bingley Festival in 2013. Back then they were maybe one of those bands that hadn’t quite made the big time but you really felt like they should. Fast forward to last year’s Download and they were definitely well on their way. In those five, intervening years, The Struts had been opening for the likes of the Stones and the Foo Fighters and really growing a fan base for their particular brand of classic glam rock, particularly in the US. Another year on and I’m heading to Stylus, a students union venue in Leeds to photograph them for the Guardian. The place was packed and the atmosphere in there was amazing. As the Guardian review sums up – “They’re not original but they are a fantastic live act and they will rock you”. https://www.theguardian.com/music/2019/feb/18/the-struts-review-stylus-leeds

The Struts Luke Spiller

Supporting The Struts, from New Zealand, Kelsy Karter. Before the gig all I knew about her was that she’d had a picture of Harry Styles tattooed onto her face to. As it turns out, that was a ‘fake news’ publicity stunt to promote the single she’d written about the One Direction singer. And actually, I thought she was great – really enjoyed the performance and she just seemed completely herself and at home up there.

Kelsy Karter in concert @ University of Leeds stylus Britian 16.02.19

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February 12, 2019

| Tracey Welch

Nikon Z 6 test shoot on Snow Patrol.

Mirrorless camera systems. For anyone who’s not a photography nerd they’ve been around for a couple of years and, in theory offer great quality pictures but with a few additional benefits over more traditional D-SLRs. One of these benefits is that the mirrorless technology means you don’t get the usual shutter clunk; they are super quiet, which is an attractive prospect for someone like me shooting in a live music and broadcast context. So when Nikon asked me to test their latest mirrorless edition, the Z 6, I actually couldn’t wait to get my hands on it and give it a go.